The transvestite ventriloquism in the poem Spring rain by Nguyen Binh viewed from cultural poetics

Abstract
Transvestite ventriloquism, wich reflected  characteristics of gender in Vietnamese culture, had appeared in Vietnamese poetry during the medieval era and achived new shade in the early twentieth  century. The poem poem Mua xuan (Spring Rain by Nguyen Binh viewed from the theory of cultural poetics, shows both traditional tranvestite ventriloquism and individual romanticism. 
Key words: Ventriloquism, gender in Vietnamese culture, poem Spring rain, romanticism.